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Pour se rendre dans ces trois petits pays, situés au centre géographique du continent européen, nous vous recommandons de prendre l’avion ou le ferry (depuis l’Allemagne, la Suède ou la Finlande). Mais il est toujours possible d’effectuer un voyage en voiture et en camping car jusqu’à nos contrées…
Les vols directs au départ de Paris sont desservis par les compagnies aériennes suivantes:
AirBaltic - pour Riga, Estonian Air - pour Tallinn.
En plus, Lufthansa, SAS, Finnair, Austrian, CSA, LOT, Brussels Airlines, Ryanair, Easyjet ont plusieurs vols vers Pays Baltes, mais avec une escale.

jazz.jpg Jazz combo image by arbycub

Founded in 1987, Vilnius Jazz is the oldest annual jazz festival held in Vilnius. It is an exceptional event in Lithuania, providing a broad perspective on contemporary trends in jazz from all over the world. Over the years Vilnius Jazz has earned a reputation of a radical avant-garde festival oriented towards novelty and limit-stretching creativity. The stylistic boundaries of jazz and free improvised music are often crossed and expanded here by offering joint projects with musicians from the academic, ethnic, rock and industrial music backgrounds.

The International Vilnius Jazz Festival is renowned for its creative and ambitious programmes featuring some of the biggest names on the international jazz scene alongside the best of Lithuanian talent. Many international projects have been organised through close collaboration with international cultural institutions and foundations, such as Goethe Institut, British Council, Swedish Institute, Pro Helvetia, US Arts International and Japan Foundation.

Attracting an audience of around 7000 each year, Vilnius Jazz has played a formative role for several generations of jazz fans. The Festival usually offers a 3-4 day programme of concerts, workshops and jam sessions featuring up to 20 different groups.

PROGRAMME:

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Date: 24 September – 18 October 2009
Venue: Vilnius Pictures Gallery (Didžioji St. 4)

Kimono exhibition by Ms. Masu Yamamoto together with Japanese painted clam exhibition by Ms. Yumiko Matsumoto and traditional art products.

Opening time:
Tuesday – Saturday 12.00–18.00
Sunday and before National Holidays 12.00–17.00.
Museum is closed on Monday and during National holidays.

Admission charge:
Admission charge – 6 Lt;
Pupil, student and OAP – 3 Lt;
Child under 7, disabled, ICOM member – free.


Date:7 October, Wednesday, 19.00
Venue: Lithuanian National Philharmonic Hall, Vilnius

Performers:
MUSICA HUMANA Ensemble (35th anniversary year)
Artistic Director and Conductor Algirdas Vizgirda
Šiauliai State Chamber Choir POLIFONIJA (35th anniversary year)
Artistic Director and Conductor Gediminas Ramanauskas

Soloists:
ILONA GIRDŽIŪNAITĖ (1st violin)
KAROLINA BEINARYTĖ (2nd violin)
AISTĖ ŠIRVINSKAITĖ (soprano)
VILIJA MIKŠTAITĖ (soprano)
IEVA PRUDNIKOVAITĖ (mezzo-soprano)
MINDAUGAS ZIMKUS (tenor)
NERIJUS MASEVIČIUS (bass-baritone)
Conductor ALGIRDAS VIZGIRDA

Programme:
JURGIS JUOZAPAITIS – Šventaragis Frescoes (premiere)
VACLOVAS AUGUSTINAS – Song of Songs for choir a cappella
MINDAUGAS URBAITIS – Lacrimosa for choir a cappella
GIEDRIUS SVILAINIS – Laudate Dominum for choir a cappella
ALGIRDAS MARTINAITIS – Cantus ad futurum for choir and instruments
JOHANN SEBASTIAN BACH – Concerto for two violins, strings and basso continuo in D minor, BWV 1043
OSVALDAS BALAKAUSKAS – Concerto courante for flute, oboe and strings (premiere)
JOHANN SEBASTIAN BACH – Magnificat in D major for soloists, choir and orchestra, BWV 243

Part of the CHAMBER MUSIC SERIES

The great creations of Bach have triggered the imagination of various composers through many centuries. Dedicated to the Millennium of Lithuania’s Name and creative anniversaries of both collectives this concert features Bach’s Magnificat and a colourful bouquet of compositions by Lithuanian composers. Nature, as the source of inspiration, and love for art determined the picturesqueness of Jurgis Juozapaitis’ Šventaragis’ Frescoes. Osvaldas Balakauskas found inspiration for his new composition in a charming French courante. Algirdas Martinaitis’ cantata Cantus ad futurum (1982) for choir and baroque ensemble combines minimalist elements of sutartinė, pseudo-baroque and rock, while cantata’s text, lamenting over the extinction of rare species of birds, reflects on ecology, culture and existence.

Ticket prices: Lt20 Lt30.

 
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