Feb
1
Vocal Music Concert
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| | Filed Under culture
Venue: Lithuanian National Philharmonic Hall
Date: February 10, Wednesday, 19.00
In Time of…
Performers:
CHANTICLEER male chorus (USA): Music Director MATTHEW OLTMAN
DYLAN HOSTETTER, MICHAEL McNEIL, GREGORY PEEBLES (sopranos)
CORTEZ MITCHELL, ALAN REINHARDT, ADAM WARD (altos)
MATTHEW CURTIS, BRIAN HINMAN, BEN JONES, MATT CURTIS (tenors)
ERIC ALATORRE, GABRIEL LEWIS-O’CONNOR, JACE WITTIG (baritones, basses)
Programme:
ORLANDO GIBBONS – Hosanna to the Son of David
SETHUS CALVISIUS – Unser Leben währet siebzig Jahr
Plainchant Veni sponsa Christi
GIOVANNI PIERLUIGI DA PALESTRINA – 4-voice motet Veni sponsa Christi
JEAN-YVES DANIEL-LESUR – “Épithalame“ from Le Cantique des Cantiques for 12 unaccompanied voices
ANONYMOUS (15th century) – Agincourt Carol
GUILLAUME DUFAY – Lamentatio sanctae matris eccelsiae Constantinopolitanae
CLÉMENT JANEQUIN – La Guerre
GYÖRGY LIGETI – Éjszaka (Night), Reggel (Morning)
CHEN YI – Spring Dreams
STEVEN SAMETZ – in time of
Interval
MICHAEL McGLYNN – Agnus Dei
MASON BATES – “from The Odyssey” (text from the Odyssey, Book XII), “Stelle, vostra merce“ (text by Pietro Aretino) and “Sirinu nuqa rikuna a“ (text by native Quechua) from the a cappella choral cycle Sirens (2008)
SÁNCHEZ ACOSTA – Paraíso Soñado (arr. by Tony Guzmán)
CARMEN CAVALLARO – “El grito” from Poema de la Siguiriya Gitana (text by Federico García Lorca)
MOISÉS SIMONS – El Manisero (Peanut Vendor) (arr. Tania León)
A selection of folk songs, popular songs and spirituals t.b.a.
Part of the CHAMBER MUSIC SERIES
Chanticleer – based in San Francisco – is known around the world as “an orchestra of voices” for the seamless blend of its twelve male voices ranging from countertenor to bass and its original interpretations of vocal literature, from Renaissance to jazz, and from gospel to venturesome new music.
“Chanticleer fascinates and enthrals for much the same reason a fine chocolate or a Rolls Royce does: through luxurious perfection.” (Los Angeles Times)
Vilnius’ audience will be treated to the works by Italian, French, Flemish and German Renaissance masters, 20th–21st c. American, Irish, French, Hungarian, Chinese, Cuban and Dominican academic music as well as folksongs, popular songs and spirituals.


